A conceptual riff off of the San Francisco Building Code, Building Score 101B is a set of task-based instructions to be carried out through four evenings of live construction and performance. Six carpenters and two performers will come together each night to explore the temporal uncertainties and structural instabilities embedded in every act of construction. Equipped with their own dust masks and safety goggles the audience will be invited to witness the translation processes between what we think will happen and what actually does.
Angrette McCloskey (Director)
Angrette McCloskey is a New York based set designer and carpenter having recently relocated to the Bay Area. Angrette has worked in theater and film for the past 8 years. Her notable design credits include Swimming to Spalding directed by Richard Schechner and The Bacchae directed by Kevin Kulhke at the Warsaw International Theatre Festival, as well assistant credits on Broadway, the Metropolitan Opera, and English National Opera. As a scholar Angrette writes about the intersections of architecture and scenography, construction as performance, and the work of the “building-body” as an embodied approach to construction. She is currently pursuing her PhD at Stanford University’s Department of Theater & Performance Studies and holds a BFA in Scenic Design and MA in Performance Studies from New York University.
Jamie Lyons (Projection Designer)
Jamie Lyons is an educator, film maker, writer and stage director who received his A.B and PhD. from Stanford Univeristy. He has worked at the Mark Taper Forum in Los Angeles, Magic Theatre in San Francisco; The Public Theater, and Mabou Mines in New York. For the stage he has directed the work of Samuel Beckett, Harold Pinter, Sam Shepard, Peter Weiss, and Heiner Müller. Jamie’s most recent work was as video designer for the Collected Works’ production of Princess Ivona.
Derek Philips (Sound Artist)
Derek Phillips is a composer and sound artist based in San Francisco. Among his credits are original scores for dance-theater: Cockroach,Comedy Ballet, and TUTOR: enter the exclave, with Dark Porch Theatre Company; scores for dance: Heir by Brendan Behan, Slab by Chris DeVita/LINES Ballet; and live sound performance in collaboration: Home in Five Parts by Ryan Tecata/Stanford Drama, and 18 1/2 Minutes by Calderon and Donovan. His work has been played or performed at the DeYoung Museum, The Exit Theater, The Garage, Kunst-Stoff Arts, Stanford University, and The Performance Art Institute. He studied literature at UC San Diego, and is self-taught as a composer.
Ryan Tacata (Performer)
Ryan Tacata holds a BFA (2007) from The School of the Art Institute of Chicago and studied briefly at the Experimental Performance Institute with an emphasis in queer activist performance. He is currently a PhD student in the Department of Drama at Stanford University. He has performed at Links Hall (Chicago), the Voice Factory (San Francisco), Duckie (London), The Living Theater (New York) and elsewhere across the US. Most recently, he as worked for/with artists: Ann Carlson, Marry Ellen Strom, Leslie Hill and Helen Paris (Curious), Robert Whitman, and Hugo Glendinning. His current research is at the intersections of performance and architecture and he is writing about the performing body in conceptual architecture from 1965 – 1985.
Raegan Truax (Performer)
Raegan Truax is a New York City based durational performance artist who recently relocated to the Bay Area to pursue a PhD at Stanford University in The Department of Theatre and Performance Studies. Truax’s choreographic scores and installations engage and investigate her concept of the “Misbehaving Body” as a body that acts against a normative figuring of progress and resilience. Her work has been presented at Zentrum für Kunst und Urbanistik (ZKU) in Berlin, The Northern California Performance Platform, Stanford’s Department of Art and Architecture, and Dance Theatre Workshop in New York City. She is also collaborator to Carlos Motta’s international art project “We Who Feel Differently” with recent symposium at the New Museum in New York City. In Spring 2013, Truax will perform a 29-day performance titled Misbehaving Body #28 which culminates with a 28-hour performance in Stanford’s Pigott Theatre.
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